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Trillium #4 (DC/Vertigo): Trillium reminds me of the kind of
classic science fiction that played around with time travel, future
speculation, and tried to examine societal composition. It’s full of rich moments
written and drawn by Jeff Lemire that juxtapose old and new, familiar and
unknown, and has fun with age-old sci-fi tropes like language translators and
the caustic nature of “we-them” paradigms. With the conflux of cultures and
subdued love interests, for some reason it also kept reminding me of The Fountain,
which saw both a graphic novel by Darren Aronofsky and Kent Williams, and eventually a film
directed by Aronofsky starring Hugh Jackman and Rachel Weisz. The film bombed,
but I liked it in both iterations as a time-spanning love story with stylized
art. So, I guess if Warner Brothers ever exercises their option on adapting
Trillium to film, I vote for Darren Aronofsky to direct. Rachel Weisz has the
grit to play Nika, though I’d certainly find someone other than Hugh Jackman for the male
parts. Grade A.
East of West #7 (Image): Before you realize what’s
happening, this issue turns into an Ezra Orion origin story, and who knew that
Jonathan Hickman and Nick Dragotta could make us care so much about this
character in such a short span of time. Orion ultimately is responsible for
building the Tower at Armistice, all in an effort to gain acceptance from his
whacked out surrogate mother. Dragotta’s wide-eyed visuals and imaginative
creature-tech is one of the most refreshing art offerings this year. I remain a
fan of the way Hickman seems to be so fascinated with the end of the world and
all things post-apocalyptic. There’s also a running theme about faith that I
find interesting, and the visual of a baby nursing on blood is a moment I
probably won’t shake any time soon. It all got me thinking about the
western/sci-fi mélange and how it’d be neat if Pretty Deadly was some kind of
perverse prequel to East of West, chronicling the Western elements
pre-apocalypse, and then East of West picks up post-apoc with the incident at
Armistice. Grade A.
Alex + Ada #1 (Image): If you were running down a checklist
of how to make a solid comic, Jonathan Luna would tick off most of the boxes in
this introductory issue, yet it didn’t really work for me, as the sum of the
parts never seemed to add up to anything more grand. I liked how Luna took his time
establishing the environment and created a sort of slow burn characterization
amid a PKD infused world. His art has that fine line wispiness to it that does
indeed capture the clean futurism required of such a title. The dialogue was
nice. Yet, by the end, the telegraphed denouement does nothing to hook the
reader or offer any incentive to return. It seems like a harmless book, so, uhh, yeah,
let me know how it goes if you decide to keep reading. Grade B.
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