Thirteen Minutes focused on weekly reviews of Creator-Owned Comics from 2005 to 2015. Critic @ Poopsheet Foundation 2009 to 2014. Critic @ Comics Bulletin 2013 to 2016. Freelance Writer/Editor @ DC/Vertigo, Stela, Madefire, Image Comics, Dark Horse, Boom! Studios, and Studio 12-7 from 2012 to Present. Follow @ThirteenMinutes
1.27.2014
Club Queen Rat King [Small Press]
Club Queen Rat King (Ray Ray Books): Emma Louthan's impressive A4-size mini-comic is a thing of rare beauty, hailing from Cody Pickrodt’s
small press publishing endeavor. Club Queen Rat King juxtaposes the titular queen and king as social oddities coveted in a
bizarre and surreal nightclub. The startling realization we slowly acquiesce to is that they're really no different than the odd conglomeration of social mores, and artifacts,
and sexualization that accumulates in our modern club scene. It’s a place where,
if you’re good enough, you catch the eye of the owners, and are spirited away to
the VIP room with mysterious offers of employment. It's exclusive, and that's secretly what we all aspire to be,
to be special, to have access, to be different, to be in on the secret, whatever the secret is, and the
depths we’re willing to go to in order to obtain that, even when we harbor a sneaking suspicion in our gut that something just isn’t quite right. Exclusivity is one of the keys to ego, and the
culture perpetuating that, as the owners say “Even God isn’t allowed in VIP!” As
great as the story and themes are, Emma Louthan’s art is also something
special. Her diminutive figure scale is composed of very fine lines, the characters dance around on the page like some kind of underground Victorian
sketches, ensconced in feathered wisps of ink on porous paper. There are two colors prevalent,
a rich blue and a sort of burnt mustard yellow. It is all things. It is weird, and
different, and poignant. It is revolting, and irresistible, and important.
It’s one of the best art comics I’ve read in a while. Man, it’s only January
and I now officially have one entry slotted in for contenders on my Best of
2014 list. Grade A+.
Justin Giampaoli was an award-winning critic at Thirteen Minutes and Comics Bulletin for over a decade. As a writer, his work includes the self-published crime caper The Mercy Killing with artist Tim Goodyear, introductions and bonus content for New York Times Bestseller DMZ at DC/Vertigo, the alt-history epic Rome West and the sci-fi drama Starship Down, both with artist Andrea Mutti at Dark Horse. Recently, he edited the geo-political thriller California, Inc. with writer Arthur Ebuen and artist Dave Law at Studio 12-7, and was a panelist at San Diego Comic Con 2024.
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