Thirteen Minutes focused on weekly reviews of Creator-Owned Comics from 2005 to 2015. Critic @ Poopsheet Foundation 2009 to 2014. Critic @ Comics Bulletin 2013 to 2016. Freelance Writer/Editor @ DC/Vertigo, Stela, Madefire, Image Comics, Dark Horse, Boom! Studios, and Studio 12-7 from 2012 to Present. Follow @ThirteenMinutes
4.21.2014
The Life After #1 (WonderCon Variant) [Advance Review]
The Life After #1 (Oni Press): It looks like this book comes
out in July, so consider this an Advance
Advance Review for the new series from Joshua Hale Fialkov and Gabo (aka: Gabriel
Bautista). Fialkov is hot off of the success of The Bunker (#3 comes out this
week!), so I was happy to see more creator owned work debuting in Anaheim this past weekend. Let me
first just say that I dig how Oni Press has been handling their con exclusives
lately. This was reasonably priced at just $5, and like the black and white preview
edition of Letter 44 #1 at SDCC last year, it’s a great way to get the creators
in front of fans for signed copies, and an opportunity to get the book out
there in critics’ hands in order to generate some buzz months prior to the
official release date. This one was limited to just 400 copies at WonderCon and I’m
glad I picked up a couple to pass on to friends. It’s really good, narratively different from what’s
currently available on the stands, addressing our perceptions (and the ultimate point) of our existence. The story tracks Jude, a sort of everyman
just trudging through the rut of his life in the style of The Truman Show or
The Matrix, without being cognizant of the fact that there’s a great secret to
the world he inhabits, until something of an unplanned glitch comes along. In fact, the way institutional voyeurism is depicted in the book, there
might even be two big secrets. I don’t want to spoil too much by giving away
the terrific figure in the big reveal at the end, but it’s clever and charming,
and I couldn’t help but think of that old Robin Williams and Annabella Sciorra
movie What Dreams May Come. I wasn’t familiar with Gabo’s art prior to sampling
this title, but I definitely enjoyed the small figure scale he works at, and
the immense level of detail poured into the panels, the style is somewhere in
the nexus of folks like James Stokoe and Ross Campbell, with the detail porn of
the former and the softer lines of the latter. There are many great comics
still on the horizon for the remainder of 2014, but The Life After looks to be one of the most unique and intriguing.
Grade A.
Justin Giampaoli was an award-winning critic at Thirteen Minutes and Comics Bulletin for over a decade. As a writer, his work includes the self-published crime caper The Mercy Killing with artist Tim Goodyear, introductions and bonus content for New York Times Bestseller DMZ at DC/Vertigo, the alt-history epic Rome West and the sci-fi drama Starship Down, both with artist Andrea Mutti at Dark Horse. Recently, he edited the geo-political thriller California, Inc. with writer Arthur Ebuen and artist Dave Law at Studio 12-7, and was a panelist at San Diego Comic Con 2024.
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