Thirteen Minutes focused on weekly reviews of Creator-Owned Comics from 2005 to 2015. Critic @ Poopsheet Foundation 2009 to 2014. Critic @ Comics Bulletin 2013 to 2016. Freelance Writer/Editor @ DC/Vertigo, Stela, Madefire, Image Comics, Dark Horse, Boom! Studios, and Studio 12-7 from 2012 to Present. Follow @ThirteenMinutes
3.27.2021
Chapter Two by Keren Katz (Mini Kus! #83)
There's a wispy curvaceous quality to Katz's lines, combined with kaleidoscopic color patterns, that seems to rip frames out of time and isolate these select moments. Katz imbues these moments with a subtle sense of longing, hope for the moments to carry meaning. Ada checks into the Clock Tower Inn in search of such an encounter with Adam. The name of the Inn is no small coincidence, as Ada navigates her journey, while time itself ticks away. Finding meaning seems to be elusive, manifested by Adam and others darting out of rooms, just out of recognition. Chapter Two seems to be asking if we read too much into these would-be moments, if there's a danger in chasing that high as people drop in and out of our lives, or if this is merely an inescapable part of the human experience. The existential panic sets in as we try to find meaning the further our lives march on, wondering if we should be sad a moment is over, or happy because it happened in the first place. It's that tension that Katz effectively captures, like so many figures in amber, with a staccato repetition of full-page panels.
For over a decade, Justin Giampaoli’s sharp voice and insightful commentary earned him acclaim as an award-winning critic at Thirteen Minutes. As a versatile writer and editor, Justin’s portfolio includes genre-defying work at DC/Vertigo, Dark Horse, Boom! Studios, Madefire, Image, and Studio 12-7. His self-published crime caper The Mercy Killing with artist Tim Goodyear explores the darkest corners of the human psyche. He penned introductions and in-depth bonus content for New York Times bestseller DMZ at DC's landmark Vertigo imprint. With Rome West and Starship Down, two projects with artist Andrea Mutti at Dark Horse, Justin crafted worlds that blur history and science fiction in ways that stick with you long after the final page. Justin recently brought his editorial touch to geo-political thriller California, Inc. from writer Arthur Ebuen and artist Dave Law at Studio 12-7, where he returns to write Westside, a haunting crime drama illustrated by Dave Law, a project that’s already generating buzz for its hard-hitting narrative and raw intensity.
0 Comments:
Post a Comment
<< Home