Thirteen Minutes focused on weekly reviews of Creator-Owned Comics from 2005 to 2015. Critic @ Poopsheet Foundation 2009-2014. Critic @ Comics Bulletin 2013-2016. Freelance Writer/Editor @ DC/Vertigo, Stela, Madefire, Image Comics, Dark Horse, Boom! Studios, and Studio 12-7 from 2012-Present. Follow @ThirteenMinutes
10.04.2012
10.03.12 Reviews
Sponsor Plug: Special thanks to Yesteryear Comics for sponsoring this
week’s review books. Make Yesteryear Comics your first destination in San Diego
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Danger Club #4 (Image): This has the potential to be the
shortest review I’ve done around these parts in a long time. This book is
excellent to the point that I’m nearly out of things to say, certainly one of
the cornerstones of the Image New Wave in my opinion, and deserves the same
type of buzz that critical stalwarts like Prophet have been garnering. From the
top, the one page intros (something I’ve been mentioning every review since
issue #1) are an absolute master class in efficient characterization. The
colors in the book are absolutely crisp, reminding me of the phenomenal work
that Dean White has been doing over on Uncanny X-Force. The writing is superb (imagine
Warren Ellis doing post-modern Teen Titans), upending so many familiar
superhero archetypes and subverting them to reveal some very interesting
commentary. The art is dangerous and detailed and divine. The total package in
this issue deals with “the enemy within” concept in a world where you just can’t trust
anybody. It’s basically “Kid Batman” taking on “Kid Fury” as a “Bat-Wing” takes
on a “SHIELD Helicarrier” piloted by a corrupt “Captain America” figure who
also happens to be the POTUS, while assorted robots and other archetypes join
the melee. Have I “used” “enough” “quotes” for you? Sorry, that’s what happens
when skilled writers do meta-commentary. What I really love about this book is
that it has a sense of inborn fatalism to it, characters ruminating that “we’re
trying to save the world, but we’re probably all going to die” and absolutely
meaning it. Nothing is hollow. Nothing is safe. Nothing is off-limits. This is
one of those books that displays the true power of Creator-Owned Comics. Grade
A.
Justin Giampaoli was an award-winning critic at Thirteen Minutes and Comics Bulletin for over a decade. As a writer, his most notable work includes the self-published crime caper The Mercy Killing with artist Tim Goodyear, introductions and bonus content for New York Times Bestseller DMZ at DC/Vertigo, the alt-history epic Rome West and the sci-fi drama Starship Down, both with artist Andrea Mutti at Dark Horse. Other writing and editorial credits include projects for Boom! Studios, Image Comics, and Madefire. Recently, he edited the geo-political thriller California, Inc. with writer Arthur Ebuen and artist Dave Law at Studio 12-7, and was a panelist at San Diego Comic Con 2024.
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