Thirteen Minutes focused on weekly reviews of Creator-Owned Comics from 2005 to 2015. Critic @ Poopsheet Foundation 2009 to 2014. Critic @ Comics Bulletin 2013 to 2016. Freelance Writer/Editor @ DC/Vertigo, Stela, Madefire, Image Comics, Dark Horse, Boom! Studios, and Studio 12-7 from 2012 to Present. Follow @ThirteenMinutes
7.09.2013
Star Wars #7 [The Wood Pile]
Star Wars #7 (Dark Horse): I’m betting that Brian Wood could writer a killer Black
Widow book if Marvel ever offered up that character to him. This issue of Star
Wars, and the run itself to some extent, is filled with increasingly clever
espionage and counterintelligence traits. The Star Wars property has a rich
tradition of such activity too, whether it’s Luke and Han gallivanting around
the Death Star dressed as Stormtroopers, Lando going undercover in Jabba’s
Palace to save his friend, or Leia posing as Boushh to do the same, just to
name a few top of mind examples. Here, the main thrust of the issue sees Luke
and Wedge attempt to infiltrate a Star Destroyer. It’s the latest example of
Wood taking cues from the originals and then extending beyond them. It’s a
seamless way to stay consistent with the source material thematically, yet
world-build with fresh new content in the interstitial space between well
consumed episodes. The biggest “news” regarding this issue is that Carlos D’
Anda is taking a break, so frequent collaborator Ryan Kelly joins Brian Wood
for this arc. Kelly draws Luke’s face a little flat at times for my taste, but
is otherwise able to play with a variety of sets and clothes and craft as Luke
and Leia are still reeling from emotional fallout, but must develop a tactical
plan to ferret out the spy. The perspective might be just a touch off with the
angle of the blasters coming from Slave I, but that’s admittedly being
extremely nitpicky (like all annoying Star Wars fans are). For the most part,
Kelly excels at depicting this world; his tech is convincing, his Emperor is
menacing, and his Leia is confident and beautiful. He might even have edged out
D’Anda with my favorite illustration work for her. The crisp colors of Gabe
Eltaeb certainly help the aesthetic of the book stay consistent during the
artist transition; I especially liked the gorgeous dark shadows he coats some
of the Tatooine bits with. No surprise, but I continue to enjoy Wood’s
depiction of the various women in this universe. Obviously Leia is front and center,
still in charge of the stealth squad as she brings Luke fully into the fold to
hatch a new plan, and they attempt to work their problem from Colonel Bircher’s
end. It’s an aggressive, high risk plan, but that’s basically what the Rebel
Alliance excels at. They rely on daring and skill instead of mass numbers in
battle like the Empire does. So many of the key roles are female. Leia is off
on a(nother) mission of her own, Mon Mothma is the overall leader of the
Alliance, Han’s new friend helping him “float away with the rest of the
garbage” is a woman, Prithi is a daring pilot currently in a critical position,
and Birrah Seah is caught in the power struggle between the Emperor and Lord
Vader. It’s an egalitarian approach to the gender roles that never feels
forced; it’s a natural use of the resources that happen to be present at every
level of the conflict. Confession: If I saw a Hound’s Tooth toy, I’d probably
buy it. Grade A.
Justin Giampaoli was an award-winning critic at Thirteen Minutes and Comics Bulletin for over a decade. As a writer, his work includes the self-published crime caper The Mercy Killing with artist Tim Goodyear, introductions and bonus content for New York Times Bestseller DMZ at DC/Vertigo, the alt-history epic Rome West and the sci-fi drama Starship Down, both with artist Andrea Mutti at Dark Horse. Recently, he edited the geo-political thriller California, Inc. with writer Arthur Ebuen and artist Dave Law at Studio 12-7, and was a panelist at San Diego Comic Con 2024.
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